/page/2

oz-react:

“Kymatica - vostfr “

Merci Elsée

Les questions qui sont restées hors du temps et profondes à travers l’histoire ont été presque toutes laissées pour mortes. Il y a eu des messages laissés dans l’Écriture, des vestiges archéologiques, les traditions chamaniques, la philosophie, la poésie, l’art et la musique. Comme nous nous rapprochons d’un sommet de l’information technologique et intellectuelle, nous nous trouvons plus en plus loin de nous sentir tout confort ou l’intégrité au sein de nos cœurs et nos âmes. Pourtant, même si la notion de spiritualité aurait dû être passée depuis longtemps maintenant, nous assistons à une prise de conscience chez les gens et un désir croissant de la vérité.

oz-react:

DIAGRAMS OF FIELD CONDITIONS, 1996
“All grids are fields, but not all fields are grids. One of the potentials of the field is to redefine the relation between figure and ground. If we think of the figure not as a demarcated object read against a stable field, but as an effect emerging from the field itself - as moments of intensity, as peaks or valley within a continuous field - than it might be possible to imagine figure and field as more closely allied. (…)”

(via betonbabe)

oz-react:


DIAGRAMS OF FIELD CONDITIONS
, 1996

“All grids are fields, but not all fields are grids. One of the potentials of the field is to redefine the relation between figure and ground. If we think of the figure not as a demarcated object read against a stable field, but as an effect emerging from the field itself - as moments of intensity, as peaks or valley within a continuous field - than it might be possible to imagine figure and field as more closely allied. (…)”

(via betonbabe)

ethel-baraona:

The human fascination of going underground can be understood by reading Jules Verne’s A Journey to the Center of the Earth, and the same fascination can be seen in some architectural projects: 
Subterranea | Excavating spaces from the depths of the mind Thanatopsis Underground Information Chambers
via reflektopia

ethel-baraona:

The human fascination of going underground can be understood by reading Jules Verne’s A Journey to the Center of the Earth, and the same fascination can be seen in some architectural projects: 


Subterranea | Excavating spaces from the depths of the mind

Thanatopsis

Underground Information Chambers

via reflektopia

University of Tehran

University of Tehran

ruznamah - iakhbardar al-khalafa e tehran, 1851

ruznamah - iakhbardar al-khalafa e tehran, 1851

Tehran Monoxyde project

Tehran Monoxyde project

Farhad Fozouni

Farhad Fozouni

(Source: rajorge, via oz-react)

oz-react:

“Kymatica - vostfr “

Merci Elsée

Les questions qui sont restées hors du temps et profondes à travers l’histoire ont été presque toutes laissées pour mortes. Il y a eu des messages laissés dans l’Écriture, des vestiges archéologiques, les traditions chamaniques, la philosophie, la poésie, l’art et la musique. Comme nous nous rapprochons d’un sommet de l’information technologique et intellectuelle, nous nous trouvons plus en plus loin de nous sentir tout confort ou l’intégrité au sein de nos cœurs et nos âmes. Pourtant, même si la notion de spiritualité aurait dû être passée depuis longtemps maintenant, nous assistons à une prise de conscience chez les gens et un désir croissant de la vérité.

oz-react:

DIAGRAMS OF FIELD CONDITIONS, 1996
“All grids are fields, but not all fields are grids. One of the potentials of the field is to redefine the relation between figure and ground. If we think of the figure not as a demarcated object read against a stable field, but as an effect emerging from the field itself - as moments of intensity, as peaks or valley within a continuous field - than it might be possible to imagine figure and field as more closely allied. (…)”

(via betonbabe)

oz-react:


DIAGRAMS OF FIELD CONDITIONS
, 1996

“All grids are fields, but not all fields are grids. One of the potentials of the field is to redefine the relation between figure and ground. If we think of the figure not as a demarcated object read against a stable field, but as an effect emerging from the field itself - as moments of intensity, as peaks or valley within a continuous field - than it might be possible to imagine figure and field as more closely allied. (…)”

(via betonbabe)

ethel-baraona:

The human fascination of going underground can be understood by reading Jules Verne’s A Journey to the Center of the Earth, and the same fascination can be seen in some architectural projects: 
Subterranea | Excavating spaces from the depths of the mind Thanatopsis Underground Information Chambers
via reflektopia

ethel-baraona:

The human fascination of going underground can be understood by reading Jules Verne’s A Journey to the Center of the Earth, and the same fascination can be seen in some architectural projects: 


Subterranea | Excavating spaces from the depths of the mind

Thanatopsis

Underground Information Chambers

via reflektopia

University of Tehran

University of Tehran

ruznamah - iakhbardar al-khalafa e tehran, 1851

ruznamah - iakhbardar al-khalafa e tehran, 1851

Tehran Monoxyde project

Tehran Monoxyde project

Farhad Fozouni

Farhad Fozouni

roger herman

roger herman

About:

wanderings in art ecology and the city

Following: